E.G. Phillips sets the tone with new jazz single, “Empathy for the Night Fly”
This is “Empathy for the Night Fly,” the first track off the EP “Signals in the
“Undun” showcases Miriam Altman’s bold and cinematic jazz vision
Miriam Altman’s adaptation of the classic “Undun” leverages her deep personal connection to the piece and
Epi blends orchestra and electronica in “An unforgettable night”
Epi’s latest work, “An unforgettable night,” integrates jazz orchestral, electronic, and jazz fusion to create a
Nicole Henry finds poise and purpose in “Everything Is Fine”
Nicole Henry drops her new jazz single “Everything Is Fine,” co-penned with Barry Eastmond. This new
Epi crafts a powerful cinematic journey with “Good morning spring”
Epi’s new work, “Good morning spring,” integrates diverse styles of classical orchestral, electronic, and jazz music.
Jerome Lee delivers a jazz fusion with “New Amsterdam Groove”
Jerome Lee delivers “New Amsterdam Groove,” a track crafted with years of experience and musical precision.
Andrei Marian shapes a forward-thinking jazz narrative on “Ethics Unimposed”
Andrei Marian returns with “Ethics Unimposed,” a more polished, vibraphone-centric jazz trio release composed without imposition.
Ken Okada Group ft. YOYOKA push jazz fusion boundaries with “Last Serenade”
Ken Okada Group ft. YOYOKA is back with “Last Serenade,” a wonderful, great song from their
Big Space sets a quiet standard with “Always Been There” ahead of new album
Big Space returns with “Always Been There,” the second single from their upcoming album, “Pendulum Effect,”
“Please Don’t Make Me Come Back from the Moon” signals a defining moment for E.G. Phillips
“Please Don’t Make Me Come Back from the Moon” by E.G. Phillips is the last single
