David J Boswell explores the unknown on new release “I Know What I Saw”
On “I Know What I Saw,” the new track by David J Boswell, he takes a daring risk that marks a wide turn into something sharp but sure in his creative journey. Boswell’s minimal disco style is sleek, but here he deliberately slows things down, swapping the dance-floor shimmer for
Saynt Ego opens a cinematic exploration of silence and sound with “Voices”
Saynt Ego’s latest single is like a quiet confession in the dark, subtle, immersive, and emotive. It is the lead single from an upcoming record and establishes a distinct artistic tone, welcoming you into a world where sound design and storytelling merge. “Voices” builds on downtempo electronic grooves and wastes
TWAN & STACY KAMATU transform a global desire into a dancefloor anthem with “NAMANAMA (for real, for real)”
On “NAMANAMA (for real, for real),” TWAN and STACY KAMATU are having fun with purpose. A breezy, slightly sardonic lovers’ anthem, the song captures that heady feeling of falling in love so hard you don’t even need to try to be devoted. “NAMANAMA” is about connecting with other people through
Wuzy Bambussy strides into a new era with power anthem “Little Lion”
In April 2026, Wuzy Bambussy’s first album, “The Ghost & The Rhythm,” will be released, and “Little Lion,” the lead single, is a bold and interesting take on electronic fusion released under Loose Unit Recordings. “Little Lion” features a range of sounds, including 1980s synth-pop, lively funk, house, and indie
Elend Winthrop delivers a high-voltage anthem with “Playback”
“Playback” by electronic artist Elend Winthrop is an intense burst of energy that confronts the past and emerges victorious. Winthrop makes music for people who like intensity, underground sounds, and a unique style, blending techno, bass house, electro, and trap. “Playback” quickly makes its presence known with a beat that
Elend Winthrop takes us into the deep with “Zone”
Seattle bass artist and producer Elend Winthrop’s new song “Zone” captures the moment when everything else fades away. “Zone” grabs your attention from the first note with its dark, movie-like intensity. The piece is built on a base of distorted low-frequency bass and electronic tension. This is the exact point
MUSŌKAMI dives into memories and groove with “SHOOTING STARS – BAG RAIDERS |UKG REMIX|”
MUSŌKAMI comes back with yet another genre-splintering statement, this time in the form of a UKG Remix for “SHOOTING STARS – BAG RAIDERS |UKG REMIX|,” which offers both a respect to the past and an all-defiance innovation. This is a style tribute to the golden era of UKG and the
Furniture Girls return with reflection and resilience on “L.A. Rose”
Almost a decade since their last release, Seattle’s Furniture Girls have reemerged with the striking “L.A. Rose,” taken from their forthcoming album, “Life Among Them,” due by October 31st, 2025. The Seattle-based electronic rock band has always been interested in where raw emotion and modern innovation bleed into each other,
Patrick Lauzon’s “Fixed” is a blend of modern pop and retro vibe
Written during one of Patrick Lauzon’s darkest periods, “Fixed” is a statement on finding clarity, self-forgiveness, and your own strength. The electronic song begins instantly with a burst of strong vocals, and the laser beam is straightforward with minimal autotune on Lauzon’s voice. The production, with its clean instrumentation, groovy
Solo Jane dives deep with electrifying new single “INSIDE MY MIND”
Bristol’s very own rising star Solo Jane is back with her fantastic new single “INSIDE MY MIND,” a song that manages to showcase some raw emotional honesty while delivering pure dancefloor fun. Written and recorded by Solo Jane with DayTwo on production, the track is a fantastic offering of raw,
