Ananda Xenia Shakti and Love Power the Band blooms with “The Perfumed Garden”
“The Perfumed Garden” by Ananda Xenia Shakti and Love Power the Band comes from an intimate and profound spiritual experience and a fearless artistic commitment. It is both a celebration and a transmission, straddling mysticism and modern sound. The music Shakti makes with Love Power the Band is all about
Eddy Mann delivers a reflective call with “I’m Coming (Remix)”
Singer-songwriter Eddy Mann sets the table with “I’m Coming (Remix)” from his dynamic new album, “The Unveiling.” This remix represents a definitive spiritual statement, combining reflection, reassurance, and reverence about itself in one dense piece of music, and it was inspired by Revelation 2. “The Unveiling” is a scripturally based
Argyro elevates with cinematic confession on “Lifeline”
“Lifeline,” by Argyro, is an adult contemporary song with an emotional build, and it is from his “Glitterati” album, which, when it was released, was so popular with the general public. “Lifeline” is grounded in themes of unity, compassion, and human connection and is both personal and broad. Argyro’s signature
Jeremy Parsons self-reflects on growth in “Who Was I?”
With the launch of his new release, “Who Was I?,” Jeremy Parsons stands at a crossroads of memory and maturity. The song is a country Americana rumination on the anxious ambiguity of his 25-year-old self. The song, from his new EP “Life,” strikes a personal, relatable note. “Who Was I?”
Elvira Kalnik shimmers with romance and cinematic glow in “It’s Valentine”
Elvira Kalnik’s new song, “It’s Valentine,” is a cinematic electronic track that transforms love into an immersive multisensory experience, emerging from a fog of neon romance and emotional openness. With this release, Kalnik proves once again that her art is at the intersection of sound, style, and storytelling. “It’s Valentine”
morato finds beauty in new pop release, “pretty lies”
“pretty lies” is the new single from morato, which is more about softness than spectacle. With quiet vocals and a guitar-led instrumental that is sometimes atmospheric, “pretty lies” leaves room for thoughts, and it sounds intimate, with a floating production. With the gentle sway and minimalist touch of his soft
Jutt Huffman explores faith and temptation on “Whiskey Hell Bent Angels”
On “Whiskey Hell Bent Angels,” Jutt Huffman sways onward with grit and abandon, officially sharing a country single as a wild-eyed and awesomely full-time touring musician. It’s an unrefined, jumble of faith, heartbreak, loneliness, and temptation. The song was Huffman’s own composition and production, recorded at Saxman Studios, just outside
Joe Brown delivers conviction and energy on “Get This Gospel” anthem
“Get This Gospel” is a gutsy gospel rap release that doesn’t shy away from its message. Joe Brown brings a sense of certainty and clarity to the track, blending hip-hop rawness with Kingdom-centered truth, and the production is so thunderous that it feels like a sermon. The track gets underway
Mitchell Broodley captures love, life, distance and devotion on “Overtime Again”
Mitchell Broodley, who sounds wise and reflective beyond his years, puts out “Overtime Again,” a country song that turns the hurt of a long-distance love into an allegory for something much larger. This is a real-life song, the result of years spent out of the spotlight, and it carries the
Michaël Di Marco crafts emotions and rhythm on “Talk To Me – Radio Edit”
On “Talk To Me – Radio Edit,” with its cozy, magnetic pulse, Michaël Di Marco moves to center stage and formally shares a personal-and-global pop-reggaeton song. The first beat of the song envelops you in a sunny groove that pairs rhythmic sway with emotional depth, feeling natural yet carefully crafted.
