Sam Austins is constructing worlds. On his latest single, “A baby girl named Heaven,” the Detroit-bred shape-shifter peddles a hypnotic strain of ghetto tech grit and future pop flair, providing the kind of track that feels built for late-night yearning while wrapped in silk.
With a subterranean throbbing of his hometown at its back, Austins reaches for the deep loam of Detroit, hedging his rhythms with the jittery electro and manic energy of ghetto tech. But he doesn’t stop there. The sorcery is how he balances that thump with an ethereal sheen, creating something intimate but otherworldly. It’s club music for the emotionally knotted-up, sultry, contemplative, and layered with nuance.
The production glistens with crystalline clarity. Each kick and hi-hat feels like surgically placed stars in a twilight sky. Underneath all that, Austins’ purring vocal rides the rhythm with lazy cool, crooning in a tone that’s part seduction, part vulnerability.
There’s a cinematic intimacy here, and it plays like a moment from an indie romance that you never quite think would go the way it does. Austins’ storytelling is strongest in the in-between heartbreak and healing, physical and spiritual. “A baby girl named Heaven” is a title that sounds like the whisper of a dream, and the track itself exists in that liminal space where fantasy and feeling intersect.
It also establishes an enticing mood for his forthcoming EP, “The Woods,” which promises to delve deeper into the emotional undergrowth. If this single is any indicator, Austins is preparing to offer something lush and raw, a full-circle moment that retains an anchor to his underground roots. Sam Austins reminds us that Detroit births visions, and “A baby girl named Heaven” is among the most intoxicating.
Follow Sam Austins on Spotify
